There are a lot of run-down houses in the Korean countryside. They look a bit bad seen as a whole, but sometimes these old houses are good for photographing. The photo above is of a wall that serves as both part of the property ‘fence’ and a building. A shed, if I recall correctly. The original concrete wall has been repaired with tacked on siding. I was attracted to this scene by the homemade ladder and the crack on the left. Interestingly, although the wall needs a coat of paint, the ladder seems to be used for painting something, judging by the stains all over it.
I think the nail/bolt/rivet on the far left is important for the composition because it fills an empty space, but it was cut out of the basic scan I had done to see what was on the roll of film. The virtual drum scanner used by my lab in Seoul gets everything on the frame. Speaking of film, this photo was made with Fujifilm Superia Premium 400 in a Nikon F6. For those of you interested, that film is very nice for a 400 speed film, but I think Portra is nicer and for a better price.
I like the colours of my Fujifilm X-T3, but I really miss the 5:4 format option from the Nikon D810. But! Today I discovered a way to indirectly get 5:4 on the X-T3. You can choose to show framing guidelines in the viewfinder. The options are 3×3, 6×4, and HD framing. 6×4 is just one more that 5:4! So, if I ignore the outer half squares of the framing guidelines I get 5×4. Ta-da! A quick snip in Lightroom and I’ve got a nice 5:4 frame, just as Nature intended. I’ve only tried it at home this evening, but I’m looking forward to having a go at it when I’m outside. I could even, I think, put a bit of magic tape over the rear LCD to help me out a bit when framing. Well, let’s see how well I can manage by estimation before sticking things on the camera.
(Above I wrote “as Nature intended”. Which god would photographers worship, I wonder. Are there any gods of sunlight? The Celtic god Lugh seems a good candidate. He’s a god of light, craftsmanship, and the arts. Ask him to bless your light meter the next time you’re out with a camera.)
Some time ago I decided in the name of minimalism to not print any more photos and to only look at them on digital devices. But I quickly discarded that decision after decluttering my binders and gathering together my favourite photograph prints. There is really no comparison between a photograph seen on a screen and one held in the hand. A well-exposed photograph looks very good on a website or a tablet, but a photograph printed on good paper by an expert lab loses some of the harshness of the backlit pixel and bring out a photo’s beauty. Is it because pixels on a display are discrete units but dots from a printer run into each other a bit, resulting in a more organic look? I don’t know, and I’m sure others have written about this more knowledgeably than me.
In the interest of maybe showing better photographs here, I recently made it a rule not to post new photographs until I had prints in hand to see which of my pictures really make me happy after going through the complete editing process from camera-to-computer transfer to selecting in an image viewer to getting the prints back from the lab and looking them over again.
But enough about that. Here are four photographs I made at Anmok Beach last month. I used a 16:9 aspect ratio because I thought it matched the wide scenes of the beach. The prints, of course, look nicer than what you see here, but enjoy.
We’re having renovations done in the house and the computer was buried under sheets of plastic for a few days. Thus, no updates here. Just a little bit left to do with the living room wall and then wait for the paint and plaster smell to disappear.
In the meantime, here’s the cat looking unhappy. As he’s been for the past week. The photo was actually taken quite a while before the work started, when his only annoyance was me sticking a camera in his face.
This statue is in Wolhwa Park and I’ve attempted a number of times to photograph it but always been defeated by the messy surroundings. The city seems to be cleaning up the area now, but the little park with the giant gingko tree was surrounded by prefab shops (gone as of two weeks ago), an ugly green wire fence, and drunks. I finally hit upon the idea of using a short telephoto focal length to isolate some details.
Each shop and stall in Gangneung’s Central Market has a painted yellow line on the floor that vendors are supposed to keep their goods inside of. I guess no one from City Hall checks this, because many shops, especially at the ends of streets, use up as much space as they can. The plastic tubs of this shop selling shoots and sprouts have engulfed a fire hydrant. The market’s safety code seems to be “Ah, It’ll be all right”.
I find some nice surprises while going through my archives. This photo is a favourite of mine, but I had forgotten about it. I was having dinner with a student in 2010 when I made this photo. The plant was sitting on the window sill next to our table and I took a moment to make a photograph of it. By coincidence, I met the same student on Friday for dinner. She graduated quite a while ago and is a friend now. I wasn’t distracted by flower pots this time, but I was a bit distracted by a young couple in a coffee shop who were making photos of each other. They both had DSLRs, but the man also had an old film point and shoot camera and I was trying to see what brand it was. I never did find out, but . . . . Vivitar?