Wetland Ferries

Gyeongpo Wetland Park
Gyeongpo Lake

I don’t know if the ferry in the first photo is being used or not. It’s floating, but there is a lot of water in the bottom. I saw it on the other side of the wetland one day, but it might have been blown over there by a storm that passed through the area.

The boat in the second photo is sitting on concrete supports at the end of a wharf. Until recently you could walk out on it to take pictures, but now it’s roped off. The city is probably worried someone is going to go down through the old wood.

Reed Barrier

Gyeongpo Wetlands Park

Some parts of the park have high reed barriers put up to protect nesting birds from noisy and invasive tourists. These little windows allow you to look inside the protected areas. I didn’t see any birds, but I did rather like this stand of trees.

Seongyojang and Point of Departure

I’ve been listening to a number of interviews with Ralph Gibson and several times he has talked about showing his photos to Dorothea Lange when he was her darkroom assistant. She looked at them and said, “You have no point of departure.” “This is true,” he replied. “What is a point of departure?” Basically, she explained, it’s having a purpose to your photography. This purpose will allow you to see things you might not otherwise if you are just wandering about.

Sometimes getting the perfect ‘shot’ is as difficult as tossing these sticks into the wooden jar.

My point of departure for a project I am working on is making black and white 1:1 photos of traditional Korean objects and scenes. And to do it in a minimalist or abstract way with, ideally, the frame split in two and each section filled with nothing unnecessary included. The photo above is something like I’m looking for, with a large section of grass in one section and a sliver of wall and the game in the other.

Two kinds of stone wall

This is closer to what I have in mind when I think about the project.

Various totem poles

This doesn’t exactly match the idea I have in my head, but it’s not a bad photo and the composition is quite simple. Even if it doesn’t make it into the final project, it’s still a picture I will print and enjoy.

Gate

This is close to the ideal again. Most of the photo is filled with the gatehouse wall and then a small amount of the frame is filled with the gate door. But, the two parts of the frame are perhaps too similar to be interesting to the project.

It’s good to have a point of departure and I think I can manage the technical side of it. The problem is the thematic point of departure. What is it I want to say with my photos? At the moment I’m making well-composed records of things I’ve seen, but I’m not sure that I’m making any sort of statement about the things I’ve seen. And this is what separates good photography from great photography. Maybe I’ll never get there. That’s okay, because I enjoy what I’m doing, but I want to take it just that little step further . . . .

Long Cloud

Across the River

I was interested in the cloud and not the buildings when I made this photo. The buildings are fairly ugly, but the skyline here is more varied than most other locations along the river. In most places it’s just long lines of concrete boxes.

Walking Back from Obong Seowon

I took a taxi all the way to the Confucian academy, but walked back to town. On the way I made a few random photos that were worth keeping.

Public Toilets and Water Line Access Cover
The truck and the scarecrow are not related. The scarecrow has ‘garbage’ written on it, and possibly means put your garbage bags here.
Someone imported a Sandy’s Sandwiches truck, sold dumplings from it, and then left it to rot on the side of the road. It’s been there for years.
Stone Stele
I think this would have been better in colour because of the turn left sign.