For every relatively in-focus photograph of my cat, there are five or six pictures with blurred turning heads, flicking tails, massive yawns, or his rear end exiting the frame at warp 5.
In my last post I joked about joining a cult to paint alleyways. It later reminded me of another experience I had with a church member. I was exploring the city of Anyang one day in 1996/97 when a smiling woman approached me. Our conversation went something like this….
W: Hello. M: Hi. W: Where are you from? M: Canada. W: Oh, that’s very nice! What are you doing here? M: I work at an English academy here in Anyang. W: That’s nice. Do you have many friends here? M: No, not really. One of my co-workers. W: Oh, you should come to our church. You can meet lots of people. M: Well, I’m not a Christian, so I don’t think I would fit in. W: No, no! It doesn’t matter if you’re not Christian. You can come to our church! M: I’m not really interested. W: You know, two of my brothers-in-law are American. They weren’t Christian, but they started coming to our church and now they are Christian! M: Well, that’s very nice for them and their wives, but I’m not interested in attending church services. W: We have lots of foreigners at our church so there are English church services and you can meet other people. M: Yes, that’s very nice for foreign Christians, but I’m really not interested in going to church. I’m not a Christian. W: (pause) There are lots of girls at our church . . . .
She almost had me, haha. The encounter was weird, annoying, funny (in hindsight), and uncomfortable all at the same time.
She definitely would have had me if she had mentioned the church was full of cats.
I visited King Myeongju’s Tomb this morning with my Minolta X700 and a roll of HP5+. I brought a digital camera along in case the Minolta’s batteries died (Forgot to buy spares. Stunarse.) and to use as a light meter if I ran into some very tricky lighting. The digital camera stayed in the bag while I was using film because the Minolta’s meter is pretty good, there wasn’t too much contrast in the scenes I photographed, and I know a bit about when to use exposure compensation. (So I’ve probably buggered everything up).
I used up a whole roll and didn’t want to start a new roll just for the walk back to the bus stop, so I put Mr. Minolta in my backpack and took out Mr. Fuji. It’s convenient to use the digital camera, but making photos with a manual camera is a real pleasure by comparison. But I digress. I made a bunch of photos on the way back down the hill and I’m happy enough with three of them to share here.
The city’s bus system application said that no buses would arrive for another hour, so I decided I would have to call an expensive taxi to get home in time for lunch. But while I was having a swallow of tea a bus did show up. I’m not surprised. The schedule is often wrong. I sometimes think Gangneung’s bus schedule application uses the data from some other city.
It was a great morning up in the hills with old King Myeongju and I’m looking forward to going back there soon. Maybe after I buy a short telephoto for the Minolta. There were a few photos I couldn’t get this morning because I only had the 50mm. The Minolta photos will show up here in a couple of weeks, after I get the film developed and scanned. If I didn’t screw them all up . . . .
A couple of days ago I posted a photo of my cat made with Fujifilm’s Classic Negative simulation. I’ve been using it off and on since then to see what it’s good for. If anything. Here are a few results.
Sometimes I bring my camera into the hall while my cat does his daily tour. I think this is the best version of the scene I’ve done so far. Looks balanced, etc. I also like the tones and colours here. I really like the blue of the sky. The shadows are deep but there is still some detail. This is straight out of the camera except for for some straightening.
One of Fujifilm’s managers said in an interview that Classic Negative is not suited for food photography, but I think this looks fine. Maybe he meant the food doesn’t come out looking Insta-worthy with blinding colour saturation. The simulation tends to make photos look warm, depending on the situation. I tried auto white balance on this photograph. The colours became accurate, but not as good. I like the warm colour cast here.
On the other hand, fixing the white balance made this photo look much better. Maybe because we expect white fur to look white in a photograph. Amice’s fur isn’t quite as dark as this. The colours of this film are not accurate, but they are usually pleasing. The consensus seems to be that Classic Negative is modelled after Fujifilm Superia negative film. I don’t have much experience with that film, so I can’t really say. But I guess it does look like negative film.
One last example photo. I made this late in the afternoon to see how the simulation handled high contrast scenes. Very well, I think. The shadows are deep, but, well, they’re shadows and I don’t really expect to see much in them. I could lift the shadows in Lightroom, but that usually looks fake. I rather like how the photo turned out. I shifted the white balance a bit, but otherwise no adjustments.
I’m going to leave my camera set to this simulation for a while. I thought it was a bit gimmicky when I first tried it, but it’s growing on me. I just have to mind the white balance and the highlights. I’d like to get out to the beach soon to see what holiday snaps might look like using this setting.
With his face in shadow, Amice has a bit of a batman (catman? batcat?) vibe going on here. “Whenever there’s trouble . . . . .” he’s usually the cause. Bugger kept waking me up this morning.
I photographed Amice using Fujifilm’s Classic Negative simulation. I’m not sure what to do with this setting, to tell the truth. Fujifilm says it’s not designed for all situations. E.g., food doesn’t look good when photographed using this simulation. It’s supposed to be nostalgic, so maybe it’s good for holiday snaps? I’ll keep experimenting.
I’ve photographed this jumble of buildings from the entrance of this short alley a number of times. Some of the structures look commercial and the ones in the far back look residential. I can only imagine that there were no zoning laws at some point in the past. Or that they were ignored. The contrast between the old buildings and the shiny black car is interesting.
I decided to stop downtown yesterday on my way to the supermarket and practise a bit of photography. My goal was to make photos that didn’t require any adjustment after I pressed the shutter button. I was sure I could do this by selecting an appropriate film simulation for each scene, recording as JPG so that the Fujifilm X-T4’s processor would do its magic on the pictures, and by making sure that exposure and white balance were spot on. Here are the three photos I kept from my little walkaround.
In case you’re curious, the film simulations I used are from top to bottom Negative Pro High, Velvia, and Acros. I confess that I reduced the exposure of the market photo by one third of a stop in Lightroom to make the colours a bit nicer. Otherwise, I’m happy with the results and even happier that I didn’t spend time in Lightroom’s develop module fiddling with tone curves and sliders.
I made a trip to Sacheon Harbour to make some photos and visit a restaurant I like. I got no good photos and the restaurant was closed. Curses. At least I came away with a photo of one of the many well-fed harbour cats.