This is the same river that was in a previous post about Seongsan. It’s getting closer to the sea so it’s wider, but not much deeper. There is little precipitation in winter, so the rivers are just about dried up until the rains of spring and the monsoon season in summer.
The composition of this photo is very similar to the photos in the post about Seongsan, so I should starting doing something different.
Wolhwa Park was built on the land once occupied by a train line. It’s about two kilometres long and generally fifteen metres wide. I go there now and then to make photos, but I can’t seem to do much with it.
Because the tracks were elevated to go over the river, some of the park is also elevated. From up on high I can look down this side street to the fortune teller part of downtown. I don’t have any tilt-shift lenses, so I straightened the verticals in Lightroom.
Directly on the other side of the park is a residential area. Older buildings are constantly being torn down in this part of the city, so it’s probably only a matter of time before this little neighbourhood is gone. I won’t be sorry to see it gone, but it would be nice if the poverty-era buildings were replaced with traditional Korean homes. More than likely they’ll be replaced by coffee shops.
This pavilion seems to be poorly visited, except for old men smoking at its base. Maybe that’s why it’s poorly visited . . . . .
I thought this building was a part of the park because of the landscaping leading up to the entrance. But I was informed by some litter cleaners that it’s part of a private residence. Oops. This is one of the photos I made before scurrying off.
It took me a while to find a framing I was happy with and then the timing to get someone to complete the composition.
In spring the city employs hordes of senior citizens to pick up litter around the city. They go by the names of “Seniors’ Club” or “Volunteer Group” and they get paid a bit of money every week.
I’m more comfortable making photos on a tripod at historical sites than I am wandering the streets of a city, but with some practice maybe I can produce some decent photos to show people what Gangneung looks like.
I have four straight hours of class on Friday mornings, but then I have the whole afternoon to do what I like. And what I like to do is go for photo rides.
Unfortunately, the only photo I made was this mobile phone snapshot. I stopped to take a rest in a small park after a disappointing ride. My objective was to ride through Jebi Village and then the Gujeong area to see if I could make some landscapes or agricultural photos. Alas, the countryside around Gangneung is becoming an industrial zone. Lots of ugly aluminium workshops, warehouses, construction sites, and huge trucks flying along narrow country roads.
But I should think positively. Now I know not to bother going that way again. And I did get a nice ride out of it. And a decent snapshot for sharing.
I was going to post two photos of cars parked illegally on a cycling path and a sidewalk but changed my mind. I remember Sam Abell writing or saying something like, “There are many ugly things in the world, but there will never be enough beautiful things.” The photos of the bad parking just make me angry, and who needs more of that? So I am posting two photos that make me feel pleased with myself. And maybe they will please you as well.
I’ve posted photos of this gas station before, but I stood more to the right this time and included the yellow line in the road. The line nicely balances the orange-yellow in the gas station roof. And how nice that the taxis are orange as well.
I’m not sure if parking in front of a road sign is illegal or not, but at least it’s not on a sidewalk or cycling path. There is no deep meaning to this – I just liked the tilted sign and the way the arrows seem to give some sense of motion to a parked car.
This is the men’s quarters of the Heo Estate, known as sarangbang in Korean. Like many other Korean historical sites, no furniture has been added, leaving the buildings feeling empty and lifeless.
I don’t know if the ferry in the first photo is being used or not. It’s floating, but there is a lot of water in the bottom. I saw it on the other side of the wetland one day, but it might have been blown over there by a storm that passed through the area.
The boat in the second photo is sitting on concrete supports at the end of a wharf. Until recently you could walk out on it to take pictures, but now it’s roped off. The city is probably worried someone is going to go down through the old wood.
Some parts of the park have high reed barriers put up to protect nesting birds from noisy and invasive tourists. These little windows allow you to look inside the protected areas. I didn’t see any birds, but I did rather like this stand of trees.
I’ve been listening to a number of interviews with Ralph Gibson and several times he has talked about showing his photos to Dorothea Lange when he was her darkroom assistant. She looked at them and said, “You have no point of departure.” “This is true,” he replied. “What is a point of departure?” Basically, she explained, it’s having a purpose to your photography. This purpose will allow you to see things you might not otherwise if you are just wandering about.
My point of departure for a project I am working on is making black and white 1:1 photos of traditional Korean objects and scenes. And to do it in a minimalist or abstract way with, ideally, the frame split in two and each section filled with nothing unnecessary included. The photo above is something like I’m looking for, with a large section of grass in one section and a sliver of wall and the game in the other.
This is closer to what I have in mind when I think about the project.
This doesn’t exactly match the idea I have in my head, but it’s not a bad photo and the composition is quite simple. Even if it doesn’t make it into the final project, it’s still a picture I will print and enjoy.
This is close to the ideal again. Most of the photo is filled with the gatehouse wall and then a small amount of the frame is filled with the gate door. But, the two parts of the frame are perhaps too similar to be interesting to the project.
It’s good to have a point of departure and I think I can manage the technical side of it. The problem is the thematic point of departure. What is it I want to say with my photos? At the moment I’m making well-composed records of things I’ve seen, but I’m not sure that I’m making any sort of statement about the things I’ve seen. And this is what separates good photography from great photography. Maybe I’ll never get there. That’s okay, because I enjoy what I’m doing, but I want to take it just that little step further . . . .