I caught a taxi to the Confucian School on Obong Mountain to make a few photos but came back with very little. And even less survived my editing process. And that’s a good thing because organising a lot of photos on the computer is a royal pain in the arse.
I only thought one photo of the school was worth publishing here. I’ve made similar photos of this tree and wall before, but I think this one is a slight improvement. Better micro-composition, etc. This is from the camera with no adjustments made on the computer. Just how I like it. It was an overcast morning, so I think I may have adjusted the highlight setting on the X-T3 to +1 for a little extra contrast.
The sign on the left says it is illegal to do burials and set up graves within 500 metres because the water off the hill feeds into the water supply for the town. The sign on the right says you can’t dump garbage there. These signs are next to the Confucian school and I made the photo as I was leaving.
Like the other photos above, this photo is straight from the camera. I think I spot-metred off the pavement underneath the gate and compensated by +1 or +1.3. I keep forgetting to change settings, so although the sun was out, the highlight setting on the camera was still probably at +1. This gate is just down the road from the Confucian school.
Although I dislike making adjustments to photos in Lightroom, I wonder if it might not be a good idea to darken the lower righthand section of the first photo for a bit of balance. Any suggestions?
The rain stopped early in the morning of September 12th, so I climbed across my bike and went for a ride as far as Seongsan. It was the usual route through Geumsan and then to the 7-11 at the end of town for a tin of mocha coffee and a little rest. I set the camera for black and white, but it turned out that colour was better for some of the photos I made that morning.
Black and white was the better choice for the first photo because the scene was more or less monochrome anyway. I thought there was a building going up behind these fences and gate, but the sign says it’s an assembly area. Whatever that means. Over the top of the fence I could see some large metal structures that looked like they might be parts of a bridge or another large infrastructure project.
I made the second photo because I liked the deep green of the plant and the slightly orange-ish brown of the picnic table. I usually make a couple of photos of the picnic tables and flower pots when I stop for my tin of coffee. The owner probably thinks I’m mad. But maybe doesn’t care as long as he makes 900 Won every time I drop by.
I’ve possibly mentioned in the past that when I ride to Seongsan, I stop at the 7-11 at the far end of town. Sometimes I make photos of my camera bag and flower pots while drinking a tin of coffee, and sometimes I make a photo of this jumble of utility poles, wires, and cars. I did a decent job of the framing and composition on this day.
A traditional Korean home dwarfed by the huge overpass that carries an expressway over the valley. I never hear noise from it when I’m around there, so I think the soundproofing must be good. Still, I think I might feel nervous if I lived underneath such a large structure.
I like this photograph because it is quiet. Nothing is happening except a slight bend of white mineral in the boulder. It’s a lesson in how to live – quiet and sturdy amongst the entanglements of life.
I recently watched an interview with Wim Wenders and a number of his photographs were featured. I was so impressed that I ordered his book (on the way now) and went out with a camera (Nikon F80, I think) to try and make some similar photos. My attempts don’t match his results, but I did learn a new way of looking at the world around me. And that was worth the cost of film, developing, and printing.