The second roll of film I put in my new Samsung Minolta X-700 was Ilford HP5+.
My wife thought this photo was boring, but I like it for some reason. I suppose because it’s reasonably well composed and the light is pleasantly soft.
The pots are used to ferment bean paste and chilli paste. The modern lids allow more air flow than the traditional covers.
I’m pretty sure I made this photo with the Contax N1 and the Zeiss zoom lens that came with it, but I can’t remember the film.
I made this photo because such a colourful building is a rarity in Korea. Most older buildings are off-white or just unpainted concrete and breeze blocks. Newer buildings are cleaner, but still lack much colour.
I don’t think I shared this photo from 2017 on my blog back in 2017. Certainly not in its present state. I recently rediscovered it while organising my photo collection and trimmed a bit of ugly from the top to give the picture a minimalist look.
I made this photo in a hill neighbourhood of Jumunjin. The houses there are so close together that generally there is only enough room for a single person to squeeze between the houses and their enclosing concrete walls. Most of the homes have no road access at all and residents need to walk through a maze of alleys to get to a single lane road. It’s quite a poor neighbourhood, but the council is sprucing the area up by painting some of the alley walls and hanging paintings to help the neighbourhood look less miserable.
The above scene no longer exists. The cart is gone and there is some fire-fighting equipment up against the wall. I’m glad I was able to get the scene before it changed.
I’ve written quite a few times about this place, so I’ll just share the photos.
Fujifilm X-T3 with 18mm and 35mm prime lenses. Acros Film Simulation.
I caught a taxi to the Confucian School on Obong Mountain to make a few photos but came back with very little. And even less survived my editing process. And that’s a good thing because organising a lot of photos on the computer is a royal pain in the arse.
I only thought one photo of the school was worth publishing here. I’ve made similar photos of this tree and wall before, but I think this one is a slight improvement. Better micro-composition, etc. This is from the camera with no adjustments made on the computer. Just how I like it. It was an overcast morning, so I think I may have adjusted the highlight setting on the X-T3 to +1 for a little extra contrast.
The sign on the left says it is illegal to do burials and set up graves within 500 metres because the water off the hill feeds into the water supply for the town. The sign on the right says you can’t dump garbage there. These signs are next to the Confucian school and I made the photo as I was leaving.
Like the other photos above, this photo is straight from the camera. I think I spot-metred off the pavement underneath the gate and compensated by +1 or +1.3. I keep forgetting to change settings, so although the sun was out, the highlight setting on the camera was still probably at +1. This gate is just down the road from the Confucian school.
Although I dislike making adjustments to photos in Lightroom, I wonder if it might not be a good idea to darken the lower righthand section of the first photo for a bit of balance. Any suggestions?
A nice contrast between the lovely flowers and the ugly barred windows. This house is right in the downtown area so perhaps they are necessary. I like the little purple flowers along the bottom of the frame. There is a similar blue flower that is common in Korea and gives me a real pleasure to see.
Here is something that isn’t a pleasure to see but which makes an interesting(?) photograph. Is this sort of setup Ministry of Safety approved, I wonder?
There are a lot of run-down houses in the Korean countryside. They look a bit bad seen as a whole, but sometimes these old houses are good for photographing. The photo above is of a wall that serves as both part of the property ‘fence’ and a building. A shed, if I recall correctly. The original concrete wall has been repaired with tacked on siding. I was attracted to this scene by the homemade ladder and the crack on the left. Interestingly, although the wall needs a coat of paint, the ladder seems to be used for painting something, judging by the stains all over it.
I think the nail/bolt/rivet on the far left is important for the composition because it fills an empty space, but it was cut out of the basic scan I had done to see what was on the roll of film. The virtual drum scanner used by my lab in Seoul gets everything on the frame. Speaking of film, this photo was made with Fujifilm Superia Premium 400 in a Nikon F6. For those of you interested, that film is very nice for a 400 speed film, but I think Portra is nicer and for a better price.
I like the colours of my Fujifilm X-T3, but I really miss the 5:4 format option from the Nikon D810. But! Today I discovered a way to indirectly get 5:4 on the X-T3. You can choose to show framing guidelines in the viewfinder. The options are 3×3, 6×4, and HD framing. 6×4 is just one more that 5:4! So, if I ignore the outer half squares of the framing guidelines I get 5×4. Ta-da! A quick snip in Lightroom and I’ve got a nice 5:4 frame, just as Nature intended. I’ve only tried it at home this evening, but I’m looking forward to having a go at it when I’m outside. I could even, I think, put a bit of magic tape over the rear LCD to help me out a bit when framing. Well, let’s see how well I can manage by estimation before sticking things on the camera.
(Above I wrote “as Nature intended”. Which god would photographers worship, I wonder. Are there any gods of sunlight? The Celtic god Lugh seems a good candidate. He’s a god of light, craftsmanship, and the arts. Ask him to bless your light meter the next time you’re out with a camera.)
The rain stopped early in the morning of September 12th, so I climbed across my bike and went for a ride as far as Seongsan. It was the usual route through Geumsan and then to the 7-11 at the end of town for a tin of mocha coffee and a little rest. I set the camera for black and white, but it turned out that colour was better for some of the photos I made that morning.
Black and white was the better choice for the first photo because the scene was more or less monochrome anyway. I thought there was a building going up behind these fences and gate, but the sign says it’s an assembly area. Whatever that means. Over the top of the fence I could see some large metal structures that looked like they might be parts of a bridge or another large infrastructure project.
I made the second photo because I liked the deep green of the plant and the slightly orange-ish brown of the picnic table. I usually make a couple of photos of the picnic tables and flower pots when I stop for my tin of coffee. The owner probably thinks I’m mad. But maybe doesn’t care as long as he makes 900 Won every time I drop by.